A-FACT Podgorica — Competition-winning visualization by Emme Works

For Architects

The image that wins the competition
is never the one that follows the brief

Over the past three years, we helped architecture firms win four international competitions, from a park of arts and culture in Podgorica to a skyscraper in Busan. The method is always the same: we read the project first

We take on one new full-scale project per month

A-FACT, MVRDV, Populous, OneWorks, ADAT Studio, Politecnica

“The images were the best in the competition. Better than Snøhetta, better than Annie Larson.”

Giovanni Sanna, Founder, A-FACT

You might have faced one of these issues

01

Lost in translation

You brief them on your vision. They return with their own style. The images look good, but they don’t feel like your project. The design intent is gone.

02

Speed or quality. Pick one

Most studios make you choose. Competition deadlines don’t wait, but neither should the quality of the image that represents months of design work.

03

No skin in the game

They render what you ask. They don’t ask what the jury needs to see. There is no creative partnership. Just execution. Just pixels.

3D renderings and animation for architecture studios

Still images, animations, and complete visual packages for firms that compete, and need images composed to win, not just to present.

Selected Work

Four international competitions won

A-FACT Podgorica
A-FACT, PodgoricaPark of Arts & Culture, MontenegroCompetition won. Selected for Inbetweeness 2024 exhibition. New clients came after seeing this image.
Won
A-FACT Podgorica detail
“The images were the best in the competition. Better than Snøhetta, better than Annie Larson.”Giovanni Sanna, Founder, A-FACT
Won
MVRDV Busan
MVRDV, BusanNampo Complex Town, South KoreaCompetition won. 50,000 sqm skyscraper now under construction. 10 images delivered.
Won
MVRDV Busan aerial
“Every time we produce an image, the effort is enormous. It’s not that we’re unsatisfied — it’s the tension to reach the highest quality.”Giovanni Sanna, A-FACT
MVRDV Chungnam
MVRDV, ChungnamArt Center, South Korea16 images for a cultural landmark. Our largest single-project delivery for MVRDV.
MVRDV Chungnam path
MVRDVChungnam, The Path
OneWorks Vilnius
OneWorks, VilniusAirport Terminal, LithuaniaInternational airport terminal. Cold-called the project manager, hired on the spot.
OneWorks Vilnius interior
OneWorksVilnius, Interior
ADAT Helsinki
ADAT, HelsinkiMuseum of Architecture, FinlandInternational competition entry. Concept-art style for a cultural institution.
ADAT Helsinki detail
“They were proactive. They encouraged us to express ourselves. That doesn’t always happen.”Stefano Andreani, Oblyk Studio
Populous Taranto
Populous, TarantoOlympic Swimming Complex, ItalyOlympic-scale sports facility. 4 images delivered under tight competition deadline.
Populous Taranto detail
PopulousTaranto, Detail
A-FACT Bertalia
A-FACT, BertaliaUrban District, Bologna, ItalyCompetition won. Major urban district redevelopment with A-FACT, our longest partnership.
Won
A-FACT Bertalia aerial
“We turn to them for every type of image we need. The quality behind each one is what convinced us to stay.”Giovanni Sanna, A-FACT
Spadolini Saranda
Spadolini, SarandaCoastal Residence, AlbaniaLuxury coastal residence. 6 images capturing Mediterranean light and landscape.
Spadolini Saranda detail
“We were very happy with those first images we made together, and with everything that came after.”Stefano Andreani, Oblyk Studio
Spadolini Tirana
Spadolini, TiranaMixed-Use Tower, AlbaniaHigh-rise mixed-use tower. 7 images across exterior, interior, and aerial views.
Spadolini Tirana street
SpadoliniTirana, Street View
Politecnica Koge
Politecnica, KøgeMixed-Use Development, DenmarkScandinavian mixed-use complex. Long-term partnership with Politecnica across multiple projects.
Politecnica Kerakoll
“Projects we considered less interesting became highlights thanks to their contribution.”Stefano Maffei, Politecnica
StudioWE Lucchini
StudioWE, LucchiniPrivate Residence, ItalyIntimate residential project. Precise material rendering for a private villa.
StudioWE Lucchini detail
StudioWELucchini, Detail
Vocino Osteria Grande
Vocino, Osteria GrandeResidential Development, Bologna, Italy11-image package for pre-sales. Complete visual identity from aerial to unit interiors.
Vocino Osteria entrance
“They tried another studio. Rejected everything. Came back to us. Our images convey ideas and emotions, not just tasks.”Vocino Group
Vocino Fermo
Vocino, FermoEsedra Residence, Marche, Italy15 images. Our largest developer package. Full visual identity including brand and social media plan.
Vocino Fermo hero
VocinoFermo, Street View
Tibiletti Eiger Palace
Tibiletti, Eiger PalaceHotel & Residences, Switzerland13 images for a Swiss alpine hotel. Aerial, exterior, interior, and landscape views.
Tibiletti Eiger Palace garden
TibilettiEiger Palace, Garden
Devero San Damiano
Devero, San DamianoResidential Complex, Parma, Italy11 images from aerial to interiors. Complete visualization for sales launch.
Devero San Damiano interior
DeveroSan Damiano, Interior

How We Do It

The Composition Method

Every project starts with reading. Every image ends with intent.

01

Read the project

Thirty minutes. Your project, your competition, who sits on the jury. We read what the design is trying to say, not just the deliverables list.

02

Compose the proposals

We test 20–30 camera angles internally. You see the strongest three. Every composition is a position: framing, light, time of day. We propose angles you haven’t considered. That’s how Podgorica happened.

03

Refine in dialogue

Drafts are conversations. We stay flexible through the final round. Extension on the deadline? We use the extra time to raise the images, not to wait. Last-minute scope change? The process is built for it.

04

Deliver with intent

Art director reviews every image before it leaves the studio. We deliver files you can present with confidence, to the jury, to the client, to the publication.

About EMME WORKS

Four engineers, ten people, one method

We started in 2022. Four engineers from the same school in Bologna who love architecture, cinema, manga, and the discipline of making something well. Three years and four competition wins later, the method is always the same: read first, compose second. We work with firms that care about the image as much as the design.

Learn more about us →
EMME WORKS team
300+ Images per year
4 Competitions won
10+ Countries served
50+ Clients worldwide

Questions

What clients usually ask

What does a typical competition image set cost?+

Pricing starts around €1,100 per image and scales with complexity. A typical 4–6 image competition set lands between €7K and €20K. We give you a fixed-price quote after the 30-minute session. No hourly surprises.

What is your timeline from brief to delivery?+

Standard competition deliveries run 3–5 weeks including drafts, revisions, and final output. We’ve delivered 4 hero images in a single week when the deadline demanded it. Tell us your submission date first.

How do we know the first draft will be right?+

You won’t, and neither will we. The first draft starts the conversation. We test 20–30 angles internally, you see our strongest three, and every revision round refines toward the image that carries your design.

Do you work with our 3D model, or do you rebuild from scratch?+

Either. We import Revit, Rhino, SketchUp, or ArchiCAD models directly. If the model isn’t ready, we model from your drawings. Model preparation is included in the quote, never billed separately.

How is this different from hiring a freelance 3D artist?+

A freelancer is one person, one style, one timeline at risk. We are ten people with an art director reviewing every image before delivery, consistent style across your full set, and deadline reliability that a single artist can’t promise.

We’ve been burned by studios that missed deadlines. Why would this be different?+

We take on one new full-scale project per month, a hard capacity cap that protects delivery quality. If we can’t hit your deadline, we’ll tell you in the 30-minute session rather than lose your submission.

What if our CAD isn’t finalized when we start?+

Competition CAD is never finalized. We work in parallel with your design team, accepting model updates mid-process and flagging the camera-critical areas so you know what to lock first.

Can you deliver under a 3-week competition deadline?+

Yes, on 4-image packages with reduced revision rounds. Anything tighter is case-by-case. We’ve done 1 week for a museum video, but we’ll only commit if we can deliver the quality the jury needs.

What happens after we book the 30-minute session?+

You send us your brief and CAD a day before the call. We look at the competition requirements, discuss the winning angle strategy, and send a fixed-price quote within 48 hours. No obligation after the call.

Next Step

Every project starts with a conversation

Thirty minutes. We look at your next competition and tell you honestly what would give it the best chance.

  • Your project scope and the competition brief
  • Who sits on the jury and what they respond to
  • Which compositions will carry the design intent
  • What it will actually cost. A straight answer.
  • Honest assessment. Are we the right studio for this one?

No obligation. If we’re not the right fit, we’ll tell you.

Book Your Visual Strategy Session

Or email us: [email protected]

Visual Strategy Session